The writer-director was partially inspired by a close friend who died of ALS, but ultimatley lost a scene involving the affliction: "That's definitely one that hurt when I took it out."

Wolf Man is the latest Universal Monster to get a modern treatment, but the film falls short of its renowned predecessor.

Wolf Man director Leigh Whannell has addressed his decision to move on from The Invisible Man sequel, The Invisible Woman, and opens up on why Ryan Gosling didn't star in his latest monster

I was so happy with Invisible Man’s ending that I just don’t feel the artistic need to go forward with it,” he tells THR. “The financial need is something different. The studio might look at that and say,

Wolf Man was called 'pulse-pounding' and 'terrifying' in first reactions, but the Rotten Tomatoes score leaves little to be desired as Leigh Whannell's reimagining of George Waggner's 1941 film currently has an underwhelming score of 56% on review aggregate site, Rotten Tomatoes.

The themes within “Wolf Man” are far blunter than “Invisible Man,” but it will be interesting to see if Whannell continues to use Universal’s monsters to tell another story of feminine trauma and resilience to create a trilogy of terror.

Julia Garner won three Emmys for her work in “Ozark.” Now, in “Wolf Man,” she plays a woman in peril. What happened?

It stars Julia Garner and formerly had Ryan Gosling linked to the starring role, is produced by Blumhouse and Motel Movies

Leigh Whannell, the director of the Hollywood film The Invisible Man, has said that he is not interested in making a sequel. Despite acknowledging the potential financial success of such a project, he is content with the original film's ending.

It’s a commitment to intensity that has served him well, and for the second time in a row, he has brought his characters to San Francisco.  2020’s “The Invisible Man” was set mostly in San Francisco,

Leigh Whannell's "The Invisible Man" is the perfect watch ahead of catching "Wolf Man" in theaters this weekend

Australian creator of the Saw horror series talks about rebooting a werewolf classic and why he never thought Hollywood was his destiny