This article discusses the plot and ending of "Presence," now playing in theaters. As with many ghost stories, the presence ...
Credit: NEON Koepp expanded on this: "In the last 10 to 15 years, horror has really been prominent and changed. Gore and jump ...
Campfire tales of spectres, spirits, and spooks have been with us since Day One. Certainly, they've proved good fodder for ...
Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out ...
In 1989, both Steven Soderbergh and "Presence" screenwriter David Koepp had movies at the Sundance Film Festival. While the ...
I knew almost nothing about Presence before I went to see it. I hadn’t seen a trailer or read a plot description or reviews.
Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...
Presence may not be your typical horror movie, but that doesn't mean it won't leave you a bit shaken up.
Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ...
The writer teams with Steven Soderbergh on this haunting story with a twist: The entire film is shot from the point-of-view ...
The actor admits that Soderbergh's unusual way of capturing the film — told from a ghost's point of view — was a challenge to ...
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...